{"id":1772,"date":"2010-05-22T18:09:39","date_gmt":"2010-05-22T15:09:39","guid":{"rendered":"http:\/\/atreiacafea.ro\/?page_id=1772"},"modified":"2015-04-21T21:45:53","modified_gmt":"2015-04-21T18:45:53","slug":"filmul-intre-vis-si-mit","status":"publish","type":"post","link":"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/filmul-intre-vis-si-mit\/","title":{"rendered":"Filmul \u00eentre vis \u015fi mit"},"content":{"rendered":"<p><a href=\"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/wp-content\/uploads\/2010\/05\/mona.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"  wp-image-2654 alignleft\" src=\"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/wp-content\/uploads\/2010\/05\/mona.jpg\" alt=\"mona\" width=\"147\" height=\"196\" srcset=\"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/wp-content\/uploads\/2010\/05\/mona.jpg 255w, https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/wp-content\/uploads\/2010\/05\/mona-225x300.jpg 225w\" sizes=\"auto, (max-width: 147px) 100vw, 147px\" \/><\/a>Mona Mamulea v\u0103 propune o analiz\u0103 a rela\u0163iei dintre discursul cinematografic \u015fi discursul oniric, pe de o parte, dintre discursul cinematografic \u015fi discursul mitic, pe de alt\u0103 parte. Perspectiva teoretic\u0103 \u015fi aparatul conceptual apar\u0163in deopotriv\u0103 psihologiei jungiene \u015fi filosofiei\/antropologiei culturii. \u00cen cadrul discu\u0163iilor, sunt comentate (pe baza structurilor arhetipale \u015fi mitice) filme de art\u0103 din istoria cinematografiei universale.<!--more--><\/p>\n<p><strong>Data:<\/strong> 1 iunie<\/p>\n<p><strong>Loc:<\/strong> Ceain\u0103ria Rendez-vous<\/p>\n<p><strong>Durata:<\/strong> 5 \u00eent\u00e2lniri, 2 ore<br \/>\n<strong>Pre\u0163:<\/strong> 30 RON<br \/>\nElevi \u015fi studen\u0163i: <strong>50% <\/strong>reducere<\/p>\n<p style=\"text-align: left;\">Va sus\u0163ine atelierul: <a href=\"http:\/\/ifilosofie.uv.ro\/monamamulea.html\">Dr. Mona Mamulea <\/a><\/p>\n<p style=\"text-align: center;\"><strong>Structura:<\/strong><\/p>\n<p style=\"text-align: left;\"><span style=\"text-decoration: underline;\">Workshop <strong>1<\/strong><\/span>\u00a0Analogia vis\u2013film<\/p>\n<ul style=\"text-align: left;\">\n<li>Imagina oniric\u0103 \u015fi imaginea cinematografic\u0103.<\/li>\n<li>Filmul ca \u201evis dirijat\u201d.<\/li>\n<li>Apelul filmului la structuri incon\u015ftiente.<\/li>\n<li>Defulare versus manipulare.<\/li>\n<li>Elemente\/structuri mitologice \u00een vis \u015fi \u00een film.<\/li>\n<li>Cotitura suprarealist\u0103 \u00een istoria cinematografiei: Luis Bu\u00f1uel.<\/li>\n<\/ul>\n<p style=\"text-align: left;\">Filme \u00een discu\u0163ie:<\/p>\n<ul style=\"text-align: left;\">\n<li><em>Un chien andalou<\/em> (C\u00e2inele andaluz), r. Luis Bu\u00f1uel, 1929.<\/li>\n<li><em>El \u00e1ngel exterminador <\/em> (\u00cengerul exterminator), r. Luis Bu\u00f1uel, 1962.<\/li>\n<li><em>Tristana<\/em>, Luis Bu\u00f1uel, r. Luis Bu\u00f1uel, 1970.<\/li>\n<li><em>Cet obscur objet du d\u00e9sir <\/em>(Acest obscur obiect al dorin\u0163ei), r. Luis Bu\u00f1uel, 1977.<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><span style=\"text-decoration: underline;\">Workshop <strong>2 <\/strong><\/span><\/p>\n<ul style=\"text-align: left;\">\n<li>Arhetipurile incon\u015ftientului colectiv (dup\u0103 C.G. Jung) \u015fi mitologemele corelate<\/li>\n<li>Simbolistica oniric\u0103 a celor \u015fase arhetipuri principale<\/li>\n<li>Arhetipul Persona \u015fi reprezent\u0103rile lui mitologice: masca, lupta eroului cu monstrul etc.<\/li>\n<li>Traseul eroului<\/li>\n<\/ul>\n<p style=\"text-align: left;\">Filme de analizat:<\/p>\n<ul style=\"text-align: left;\">\n<li><em>Il Generale Della Rovere<\/em> (Generalul Della Rovere), r. R. Rossellini, 1959.<\/li>\n<li><em>Billy Liar<\/em> (Billy mincinosul), r. J. Schlesinger, 1963.<\/li>\n<li><em>Citizen Kane<\/em> (Cet\u0103\u0163eanul Kane), r. O. Welles, 1971.<\/li>\n<li><em>Sunset Blvd<\/em>, r. B. Wilder, 1950.<\/li>\n<li><em>Arumdabda<\/em> (Frumoasa), r. K. Ki-duk &amp; J. Jaihong, 2008.<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><span style=\"text-decoration: underline;\">Workshop <strong>3<\/strong><\/span><\/p>\n<ul style=\"text-align: left;\">\n<li>Arhetipul Umbrei \u015fi reprezent\u0103rile lui \u00een mitologie<\/li>\n<li>Contractul cu diavolul<\/li>\n<li>Imaginea diavolului \u00een mitologia rom\u00e2neasc\u0103<\/li>\n<li>Arhetipul Anima\/Animus; modelele mitologice corelate<\/li>\n<li>Metafizica iubirii<\/li>\n<\/ul>\n<p style=\"text-align: left;\">Filme de discutat:<\/p>\n<p style=\"text-align: left;\">\n<ul style=\"text-align: left;\">\n<li><em>Mephisto<\/em>, r. I. Szab\u00f3, 1981.<\/li>\n<li><em>Moara cu noroc<\/em>, r. Victor Iliu, 1957.<\/li>\n<li><em>The Picture of Dorian Gray <\/em>(Portretul lui Dorian Gray), r. Albert Lewin, 1945.<\/li>\n<li><em>Rok spokojnego slonca<\/em> (Anul soarelui lini\u015ftit), r. K. Zanussi, 1984.<\/li>\n<li><em>Il Casanova<\/em>, r. F. Fellini, 1976.<\/li>\n<li><em>Cronaca di un amore<\/em>, r. Michelangelo Antonioni, 1950.<\/li>\n<li><em>Sommarnattens leende<\/em> (Sur\u00e2sul unei nop\u0163i de var\u0103), r. Ingmar Bergman, 1955.<\/li>\n<li><em>Lola<\/em>, r. Rainer Werner Fasbinder, 1981.<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><span style=\"text-decoration: underline;\">Workshop <strong>4<\/strong><\/span><\/p>\n<ul style=\"text-align: left;\">\n<li>Arhetipul Spiritului \u00een mitologie: Hermes, zeul mediator; \u00eengerii<\/li>\n<li>C\u0103l\u0103uza spiritual\u0103. \u201eB\u0103tr\u00e2nul \u00een\u0163elept\u201d \u015fi \u201ePiticul cel r\u0103u\u201d<\/li>\n<li>Spiritul \u015fi Animus<\/li>\n<li>Arhetipul Copilului divin: mitul V\u00e2rstei de aur; mitul Salvatorului<\/li>\n<li>Imago Christi<\/li>\n<\/ul>\n<p style=\"text-align: left;\">Filme de discutat:<\/p>\n<ul style=\"text-align: left;\">\n<li><em>Stalker<\/em> (C\u0103l\u0103uza), r. A. Tarkovski, 1979.<\/li>\n<li><em>Der Himmel \u00fcber Berlin<\/em> (Cerul deasupra Berlinului), r. W. Wenders, 1984.<\/li>\n<li><em>Hwal<\/em> (Arcul), r. Kim Ki-duk, 2005.<\/li>\n<li><em>L\u2019Innocente<\/em> (Inocentul), r. L. Visconti, 1976.<\/li>\n<li><em>The Baby of M\u00e2con <\/em>(Copilul din M\u00e2con), r. P. Greenaway, 1993.<\/li>\n<li><em>The Last Temptation of Christ<\/em> (Ultima ispit\u0103 a lui Iisus), r. Martin Scorsese, 1988.<\/li>\n<\/ul>\n<p style=\"text-align: left;\"><span style=\"text-decoration: underline;\">Workshop <strong>5<\/strong><\/span><\/p>\n<ul style=\"text-align: left;\">\n<li>Arhetipul Sinelui \u015fi simbolistica lui: crucea, svastika, \u015farpele, mandala etc.<\/li>\n<li>Drumul c\u0103tre Sine: traseul ini\u0163iatic al eroului: Mitul L\u00e2nii de aur; Mitul Graalului<\/li>\n<li>Visul \u00een film. Visele personajelor \u015fi interpretarea lor<\/li>\n<\/ul>\n<p style=\"text-align: left;\">Filme de discutat:<\/p>\n<ul style=\"text-align: left;\">\n<li><em>Perceval le Gallois<\/em>, r. E. Rohmer, 1978<\/li>\n<li><em>The Fisher King<\/em> (Regele pescar), r. Terry Gilliam, 1991.<\/li>\n<li><em>Medea<\/em>, r. P.P. Pasolini, 1969.<\/li>\n<li><em>Medea<\/em>, r. L. von Trier, 1988.<\/li>\n<li><em>Jacob\u2019s Ladder<\/em> (Scara lui Iacob), r. A. Lyne, 1990.<\/li>\n<li><em>Dreams <\/em>(Vise), r. A. Kurosawa, 1990.<\/li>\n<li><em>Bi-mong<\/em> (Visul), r. K. Ki-duk, 2008<\/li>\n<\/ul>\n<p><strong>Detalii \u015fi \u00eenscrieri<\/strong> la <a href=\"mailto:office@atreiacafea.ro\">office@atreiacafea.ro<\/a>, 0742.231.304.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mona Mamulea v\u0103 propune o analiz\u0103 a rela\u0163iei dintre discursul cinematografic \u015fi discursul oniric, pe de o parte, dintre discursul cinematografic \u015fi discursul mitic, pe de alt\u0103 parte. Perspectiva teoretic\u0103 \u015fi aparatul conceptual apar\u0163in deopotriv\u0103 psihologiei jungiene \u015fi filosofiei\/antropologiei culturii. \u00cen cadrul discu\u0163iilor, sunt comentate (pe baza structurilor arhetipale \u015fi mitice) filme de art\u0103 din &#8230; <a title=\"Filmul \u00eentre vis \u015fi mit\" class=\"read-more\" href=\"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/filmul-intre-vis-si-mit\/\" aria-label=\"Cite\u0219te mai multe despre Filmul \u00eentre vis \u015fi mit\">Cite\u0219te mai mult<\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1772","post","type-post","status-publish","format-standard","hentry","category-fara-categorie"],"_links":{"self":[{"href":"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/wp-json\/wp\/v2\/posts\/1772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/wp-json\/wp\/v2\/comments?post=1772"}],"version-history":[{"count":0,"href":"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/wp-json\/wp\/v2\/posts\/1772\/revisions"}],"wp:attachment":[{"href":"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/wp-json\/wp\/v2\/media?parent=1772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/wp-json\/wp\/v2\/categories?post=1772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/psihologieanalitica.ro\/atreiacafea.ro\/wp-json\/wp\/v2\/tags?post=1772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}